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If we are uncritical we shall always find what we want: we shall look for, and find, confirmations, and we shall look away from, and not see, whatever might be dangerous to our pet theories. In this way it is only too easy to obtain what appears to be overwhelming evidence in favor of a theory which, if approached critically, would have been refuted.
They told Van Gogh he used too much paint, and Englebart that the mouse was pointless. Galileo and Copernicus were called heretics for seeing the world for what it was. Dylan and Guthrie were told they couldn’t sing and that they had nothing to say. DaVinci’s helicopters and Tesla’s radio waves stayed in notebooks for years, as the ideas were too weird for ordinary minds to understand. http://www.scottberkun.com/blog/2011/why-you-should-be-weird/
Pragmatism asks its usual question. "Grant an idea or belief to be true," it says, "what concrete difference will its being true make in anyone's actual life? How will the truth be realized? What experiences will be different from those which would obtain if the belief were false? What, in short, is the truth's cash-value in experiential terms?
The artist . . . can leave a great many of the most fundamental aspects of culture to be picked up not from his actual words, but from his emphasis. [He can] group and stress [words] so that the reader almost unconsciously receives information which is not explicit in the sentences and which the artist would find it hard - almost impossible - to express in analytic terms. This impressionistic technique is utterly foreign to the methods of science.
